![]() It also speaks to the shifting of time in a specific way. “I want it to be the speed of the sunset, where it’s very, very gradual, so you can’t really note any specific moment of change but yet you realize that it has changed.” It’s about this continual fluidity,” she says. So it’s not even the same shape at any given moment. Your perception of it is changing, too, but very literally with different sunlight, different patterns and projections, different color, and the wind. “All of these works are very much about change - there is no static sculpture, it is always adapting and changing. Using customized computer software, her studio is able to model how even a slight change at a specific point affects the rest of the structure. “The physical sculpture is a manifestation of interconnectedness it’s this knotted network, and when any single knot or node moves, every other node is affected,” says Echelman, who based the structure on mapping data of the surface of the Pacific Ocean in relation to time of day. It’s completely abstract and entirely concrete. In terms of scale, the sculpture represents ideas both unfathomably large and as specific as a single point. Despite its grand nature, the piece - a net of colored fibers woven into twine and knotted - is rooted in an exploration of interconnection, and acts as a prompt for viewers to pause and consider their role within the larger system. “It’s an invitation to be present,” Echelman says of the sculpture, which morphs shape as wind passes through, and glows at nighttime. A post shared by Janet Echelman chairs have been set up underneath the colorful structure, an invitation for the public to observe the piece and engage in a moment of contemplation amidst the dynamic chaos of the city.
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